His universe evolves through narrative and artistic cycles, materializing the hardening of control structures:

• Mauvaizélève: The foundations of the narrative. The introduction of the figure of indiscipline in the face of the framework, the affirmation of a hybrid aesthetic between urban subversion and studio rigor.
• Les Zotres: The shift towards the collective and otherness. The exploration of marginal silhouettes, outcasts, and invisible communities that survive in the blind spots of the system.
• Entre 4 Murs: The brutalist and architectural turning point. In an ideal world, the artist would build his cities at a 1:1 scale, but the confines of the studio impose their own law: the construction of 1/100th scale models.

Here, the digital tool acts as a precision scalpel. Through image superimposition and focus stacking, Florian Sanna merges reality and miniature, inserting his human-sized characters into the heart of his cardboard architectures. Photography seals these meticulous preparations; it becomes a cold capture that elevates the final image to the status of evidence or forbidden archive.