His universe evolves through narrative and artistic cycles, materializing the hardening of control structures:

• Mauvaizélève: The foundations of the narrative. The introduction of the figure of indiscipline against the framework, the assertion of a hybrid aesthetic between urban subversion and studio rigor.
  
• Les Zotres: The shift towards the collective and otherness. The exploration of marginal figures, outcasts, and invisible communities surviving in the blind spots of the system.
  
• Entre 4 Murs: The brutalist and architectural turning point. In an ideal world, the artist would build his cities to scale 1:1, but the narrowness of the studio imposes its own law: the construction of 1:100 scale models.

Here, the digital tool acts as a precision scalpel. Through image superimposition and focus stacking, Florian Sanna merges reality and miniature, inserting his human-sized characters into the heart of his cardboard architectures. Photography seals these meticulous preparations; it becomes a cold capture that bestows upon the final image the status of an exhibit or a forbidden archive.